My work is rooted in the romantic tradition of the English garden — landscapes that feel inseparable from their setting, where architecture and land meet naturally and time spent outside feels effortless.

I studied History of Art at Bristol University, and that grounding in how we respond to space, form and beauty remains central to how I approach a garden. I went on to work in finance, and something of that world carries over: a rigour in the planning, a clarity in the process. Leaving the City to retrain at the Inchbald School of Design was a pivotal decision — one that brought together a long-held love of gardens with a strong instinct for design and space.

Every project begins with listening — understanding not just what a client wants to see, but how they want to feel in their garden and how they want to live in it. That conversation shapes everything that follows.